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Poetry

Greek Gods in the Oedipus The King

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Greek Gods in the Oedipus The King

            In this play, Oedipus the King, there are two main characters whose importance in the play is highly preached and acknowledged. These are the Zeus and Apollo. The two Greek gods form major character of the play and they are characters of great importance. To start with Apollo, he can be briefly described as the goddess of hunt and the moon. Actually, he is the god of wisdom, poetry and music. He likes to hunt too much using bow and arrow. Additionally, Apollo is handsomely black boy with long dark hair and likes driving his brown chariot (Charles, 54). On the other hand, Zeus is described as the king of gods. He ruled the whole earth. One of the things that makes Zeus recognized in that he was the determiner of rain and dry season. He also formed rain, thunderstorm and thunderstorm. One very important thing about Zeus is that he complained that other gods were not perfect.

Furthermore, in spite of the fact that Zeus was regularly insightful, he could likewise be stupid. He could be egotistical and even brutal. He was not a decent spouse to Hera, the ruler of the divine beings. Furthermore, he was not a decent father to huge numbers of his kids. As anyone might expect, alternate divine beings in some cases opposed his run the show (Charles, 57). Still, Zeus most divine beings and mortals regarded Zeus. He gave laws and equity to mortals. He showed them thoughtfulness and great behavior. One story demonstrates the amount Zeus prized cordiality and benevolence toward outsiders.

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Zeus got a kick out of the chance to travel, now and again in camouflage. When he was going with his child Hermes, the emissary god, in a land called Phrygia. They were both masked as conventional mortal men. They halted at all the houses in Phrygia, requesting nourishment and a place to remain the night. Consistently, they were impolitely dismissed. Indeed, even rich individuals dismissed them. Finally, they landed at the home of an elderly couple, a lady named Baucis and a man named Philemon. Baucis and Philemon were to a great degree poor. All things being equal, they treated the voyagers generous, welcoming them into their home for nourishment and drink  (Charles, 59). They permitted the hidden divine beings to spend the night. The following day, Hermes and Zeus removed their camouflages. Everybody could see that they were divine beings. Zeus rebuffed the couple’s Phrygian neighbors with an unpleasant surge. All houses were annihilated, aside from the little hovel of Baucis and Philemon. Zeus transformed it into an excellent sanctuary. As a reward for their benevolence, Zeus offered the couple anything that they needed. Since they had lived joyfully together every one of their lives, they requested that never be separated. Indeed, even in death they needed to stay together. Baucis and Philemon spent whatever is left of their lives serving as the sanctuary’s priestess and minister. When they passed on they transformed into two trees becoming out of a similar trunk. This is exactly what makes Zeus important in the play.

On the other hand, Apollo, the lover of music also plays a major role in the play. t the point when Apollo was still a youthful god, he needed to know his future. So, he went to a town called Delphi, where a priestess was said to tell fortunes. She was called a “prophet.” At the point when Apollo touched base in Delphi, he discovered inconvenience anticipating him. A creature named Python should monitor the prophet. In any case, Python had turned remorseless and was threatening the general population of Delphi. Apollo slaughtered Python with his exposed hands. At that point the subjects of Delphi constructed a sanctuary in his respect. The prophet continued telling individuals’ fortunes there. After that, Apollo got to be distinctly known as the divine force of prescience—which implies the capacity to predict what’s to come (Charles, 61). He was accepted to dependably come clean. Apollo was otherwise called incredible healer. In any case, he here and there created infection also. His child, Asclepius, was the divine force of prescription for some time. In any case, Asclepius developed so effective that he could raise the dead. The divine beings couldn’t permit that, so Zeus executed Asclepius with his thunderbolt. Since Apollo was known as the lord of light, he was now and again confused for the sun god. The genuine divine force of the sun was Helios, who drove a blazing chariot over the sky. Helios once committed a repulsive error (Charles, 61). He permitted his half-mortal child Phaeton to drive his chariot. Yet, Phaeton couldn’t control Helios’ steeds. He practically devastated the world with that blazing chariot. Like Asclepius, Phaeton was slaughtered by Zeus’ thunderbolt

In conclusion, it is worth to say that the two gods, Apollo and Zeus were very important. One of the interesting facts about Apollo is that python is found in Asia and Africa and it is from this he got his name after one which he killed. The way both Apollo and Zeus express themselves, contribute and throughout the play shows the reason as to why their purpose is highly regarded at the expense of all other characters in the play.

 

 

Work Cited

Segal, Charles. Oedipus Tyrannous: tragic heroism and the limits of knowledge. Vol. 108. Oxford University Press on Demand, 2001.

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