Teorema Film
Teorema is a religious parable based film by Pasolini which is perceived by many to undermine Catholicism. It is about a Terence Stamp who materializes in a beautiful home in Italy (Kesel, 2017). The family, the Telence Stamp, pays a visit is perceived to be polite, attractive, educated and as well self-assured. However, the smooth background of their lifestyle conceals a political as well as religious confusion questions. The film is anchored by powerful and outstanding stage performances which are tied together by writer-director Pier Paolo Pasolini.
In the film, Teorema concepts of narrative structures are revealed through the allegory in two-dimensional acts that merges religion and eros in a modern approach to give a story throughout the movie (Kesel, 2017). The concept of mise-en-scene in the film is seen by the manner through which Pasolini utilizes visually as well as modernization in his art; the shifting effect and strategy and greatly plastic sense of space engaged are appealing to the audience.
In his movie, Pasolini utilizes the aspect of abrupt switching of the sound which nurtures the attention of the viewers with its classical music. The cinematic concept employed is attractive with Ricetto dances seen in the film through the street of a character that is holding red paper flowers (Kesel, 2017). Film editing was such a well-organized plot which follows a good layout of stage performances and an emphasis of fast cutting to juxtapose influential biblical images. The movie utilizes a controlled sequence of shooting; preempting future editing.
The film style used in the Teorema movie is an upsetting idea towards the audience but rich with information if well interpreted. However, the entire performances of the film on stage are great and attractive to the viewer through it the excellent organization of themes presented in the whole plotting; which include; religion, social forces, eroticism as well as homosexuality.