Explain the importance of Marcel Duchamp
Marcel Duchamp is perhaps the most famous French artist with extraordinary influence due to his readymade manufacturing objects that were presented in the exhibition. Duchamp was also a great chess player, maker for experimental films, and also a writer. Marcel Duchamp is considered the most influential artist in the twentieth century. Duchamp altered the perception of the viewers on manufacturing objects.
He is considered important because he transformed the traditional notions of authorship, craftsmanship, and conventional rules regarding art definition. Marcel challenged the criteria in which institutions and galleries decided what was considered as art. Besides, Marcel Duchamp was also a promoter and a founder of the Independent Society Artist.
Duchamp is also said to align his artwork to that of Surrealists though he refused to affiliate himself with any artistic movement. He favored artwork that is driven by intellectual concepts. Similar to the surrealists and futurists of the time, Marvel Duchamp remained committed to studying optics and perspectives that underpinned his experiments with kinetic devices. Duchamp also paved the way for conceptual work through his linguistic dimension of the artwork. Through his everyday expressions, Duchamp fashioned puns, which he conveyed via visual means.. Don't use plagiarised sources.Get your custom essay just from $11/page
In his artwork, Duchamp tried to trigger people’s believes and perceptions of art. For instance, Duchamp chooses a urinal in his artwork deliberately to stir up outrage and controversy to show people that art was a mirage.
Definition of DADA
Dada is defined as the techniques and styles of a group of writers and artists who exploited incongruous and accidental effects in their artwork at the beginning of the twentieth century. The work of these artists challenged the traditional canons of art, morality, and thought of art. Dada is, therefore, an art movement and literature that is based on deliberate negation and irrationality of artistic values that were established traditionally.
References
Micahel Duchamp (n d). The art story. Retrieved from https://www.theartstory.org/artist/duchamp-marcel/
Schwarz, A. (2008) ‘The Philosophy of the Readymade and its Editions,’ in Mundy, J.(ed.) (2008) Duchamp Man Ray Picabia, London, Tate Publishing.
The Tate, (n.d.), Marcel Duchamp, [online] Available at http://www.tate.org.uk/art/artworks/duchamp-fountain-t07573/text-summary [accessed 22nd March 2016]