French art
I vividly remember this crucial event that I attended at Washington, accompanied by a few friends of mine. Basically, the event involved learning about French art and it hosted all art students from premier schools worldwide. Also, all the art tutors had been asked to avail themselves. Significantly, I attended the event because it fell under my area of specialization and it had been made mandatory for everybody concerned to attend. Despite of the high air fare cost and long flight duration, I arrived safely, took a short break at the restaurant and thereafter stepped to the venue. No sooner did I arrive than the master of ceremony declared the meeting officially opened. Indeed, I was not that late as I suspected initially. One of the USA famous art professors began the talk on the introduction to French art. I was very keen on his talk as he elaborated on the dreamy and dauby landscapes of the French impressionists and bolder. I was very overwhelmed about his emphasis on creative impressions of cave painting rendered at Lascaux that are recognized as some of the earliest artifacts in the world today.
Surprisingly, one of the facilitators gave her speech in French language, an issue that brought inconveniences in the event. Indeed, I was very embarrassed about the idea simply because it was much independent of my language. I liked the way other professors from the region stressed on the unique economic power in relation to neoclassicism of art. Additionally, I was impressed by the mode in which Romanticism took an intimate approach in favoring contemporary scenes of historical tableaux of Neoclassicism. This really motivated me on dramatic evolution of French art. Afterwards, I appreciated for having met some of the brightest art students from other regions. I liked the way they were devoted in making us familiarize with the art designs. I would recommend to all ongoing students to participate in one’s course related conferences in order to enhance their knowhow in studies.