Identity Crisis
The concept of identity crisis is evident in both the Unnamable and Company. The Beckettian problem of saying “I” is represented by voices both in fiction and the theoretical production of the articles. The voice raises a question that is not only omnipresent but also problematic. The sound is present in the novel The Unnamable and Company through the structure. The problem does not arise so long as the voice is enclosed in a human identity reassuring. The view requires a coherent approach as it is enigmatic. It is necessary to take the problem seriously as the view is undisputable on one end, and it indicates a certain level of independence of the literary domain as language is inherent in all experiences of humans. Looking at the issue of creation, each voice manifestation is constrained within a specific work. It is marked by subjective experiences, whereby the author creates that.
Concerning the articles, there is as a neglect of the real dimension, making it non-negotiable, unbearable, and unimaginable. The problem is more apparent in approaches that make psychoanalysis. The unnamable presents is a representation of one of the beckets remarkable texts in the utilization of the “I” voice. The voice is a characteristic throughout the novel as it has speech monopoly, but it refuses to be the utterances of the author. It indicates that the issue should get approached independently, and the retroactive mechanism unfolded. The novel is always moving to forward towards another meaning, referring to something forward. The operation is fundamental as it guides the utterance of the pronoun I, and it produces secondary inscription. The author uses the third instance to complete entry in language.