Lyon Opera Ballet
While watching Lyon Opera Ballet, it provokes strokes’ emotions. The complexity of Lyon Opera Ballet through the tricky cross-rhythms and complicated passagework which disturbed the Beethoven’s contemporaries, demands the chamber orchestras in making their own choices concerning performances. Lyon Opera Ballet’s Trios Grande’s plays on this kind of notion of interpretation with three choreographers that are responding to three other spate recordings of Die Grosse Fuge through different dance works. At the heart of Beethoven’s’ masterpiece, you find the human desire to find rhythm and pattern inside the apparent chaos. This is awesomely exemplified in the clean and meticulous Lucinda Child’s choreography. I like this choreography because it offers the opening piece. The twelve dancers eloquent precision faultless arabesques and there is perfect unity that is combined through breathtaking grace that does not have a footfall. There is the airy, ethereal quality of the soft greys of costume and set in addition to the lightness that is heightened through fretwork backdrop. It adds to the purity and elegance, which imbues the most classical of the three parts. Don't use plagiarised sources.Get your custom essay just from $11/page
The second version is by Anne Teresa Keersmaeker, and the ambience is informal, with choreography being freer, with the recording being more fierce and dissolute. Eight dancers in the dark suits roll and tumble on the floor. As the second section progress, the movement gets looser where the costumes are dishevelled. Additionally, the dancers stop to remove the jackets and untuck their shirts. The Cossack dance is eclectic, thrilling and vibrant.
The choreographic provocateur Maguy Marin turns the program around with a passionate quarter of women that are in red who are in opposition to a tightly controlled dance work. Their movements are freer again, with feet drumming and twisting impulsively. Hence, there are different events in the score, which makes the audience experience the music in new and numinous clarity. There is a similarity between Lyon Opera Ballet and jazz dance in how their movements are freer.
References
https://www.youtube.com/watch?v＝LYoFqEQezq4
https://www.nytimes.com/2016/11/21/arts/dance/review-lyon-opera-ballet-showcases-
Beethoven-and-female-choreographers.html