Mariam Beerman: Collages 1965-2008
After a virtual tour of the Queens-borough Community College City University of New York art gallery (QCC), I choose to write about Mariam Beerman collages that are in the PowerPoint document attached. The QCC art gallery is an essential and educational and cultural resource. I love the artwork of Mariam Beerman because, in most of her paintings, she works to present brutality and political occurrences of our lifetime in a bid to point out the world’s injustice and bring them to an end (Beerman, 2020). What is more, the artist uses beauty and vigor, which inspires various painters all over the globe. In the long run, the combination of passion, emotional struggle, and creativity makes the works of Miriam a masterpiece. In all the artworks of Miriam, there are living creatures, such as human beings or animals. And this is one factor that made me love the paintings since they bring out an inner perception to present the future and the past effectively.
From one of the paintings, Miriam paints one of the ten plagues stories that occurred in the ancient biblical times. And the art is influential because it was in line with the incredible necessity of bringing out the old afflictions. The plague indicates the downfall of the Pharaohs who ruled the Egyptian kingdoms. However, the artist adds other features to the artwork, which are relatable to the recent epidemics like the Holocaust and the Hiroshima bombings. What is more, art depicts the potential, unpredictable nuclear disaster that could occur without prior warning. All in all, I love Mariam Beerman because they have their own life. Also, they bring out meanings and interpretations that are not planned (Beerman, 2020). They have automatic gestures, which develop the emotional intensity of various ideologies.
Miriam Beerman’s paintings are both anxiety-ridden expressionist works rooted in the tradition of Abstract Expressionism and history paintings probing her political and personal heritage (Beerman, 2020). Through her contemporary, compelling arts, viewers can get psychological perceptions and artistic beauty, through political ideologies and particular culture. And she prioritizes the conditions of human beings from the past in relation to the future with proficient imagery. That aside, I love Mariam Beerman’s paintings due to the symbolism she consistently implements. Symbolism is vital since it brings out the in-depth ideologies found in her paintings. Mariam Beerman controls her symbolism to emphasize a specific subject matter. However, how the audience will interpret the pictures is dependable on various factors, such as racial background, religion, and personal personality. All in all, Mariam Beerman works to present brutality and political occurrences of our lifetime in a bid to point out the world’s injustice and bring them to an end.
Lastly, Mariam Beerman’s works stood out because she is a colorist (Beerman, 2020). And this is vital because she makes her portrait look beautiful and better as compared to the other paintings. In her works, the balance of colors is perfect, and they relate to the theme efficiently. Consequently, the final vision becomes consistent, makes the image pop. In other words, she turns good art into an excellent presentation, indicating passion, craft, and professionalism. What is more, her decorative surface is usually stippled and organic. She creates paintings with a lot of care and emotional response. In the long run, she attains the final image, which plays a significant role in communicating with the viewers. In summary, the works of Mariam Beerman are essential because they lead to a lifetime of contemplation, thereby evoking an in-depth, thoughtful analysis process. Beerman has enabled extensive contemporary art as a critical political method of altering consciousness.
Reference
Beerman. M. (2020, February 6). Mariam Beerman: Collages 1965-2008. Queens-borough Community College City University of New York art gallery (QCC). http://artgallery.qcc.cuny.edu/Exhibitions/Exhibit-Pages/2020-Mariam-Beerman-Collages.html