Piece’s movements
Movement I
This was the starting movement of the piece. As expected, the musical structure of it is the sonata form, just like most first movements of music pieces. This movement employs what is known as a paired description. Which is why, the initial segment of this program is played twice, originally by the orchestra only, and next by the soloist supplemented by the orchestra. The first section is kind of short and fixed, then the second section starts with the soloist and the orchestra joins him to form the melody played in section one. After the end of section one, section two starts. In the orchestration, an individual notes the deficiency of oboes and the existence of clarinets, causing a distinctive, darker-hued sound. The movement continues with its fast tempo, and we can say that the dynamic of it is soft and not changing much compared to other movements, the only changing of dynamics is when they move from the soloist to the orchestra. Also, the dynamic range of it is normal, there is no big difference between the loudest and quietest sound of instruments played in this movement. The piano is heard alone during the movements, which means there are some short solos in this movement played by the soloist. Moreover, this movement is clearly consonance with sweetness, acceptability, and the soft played piano by the soloist.
Movement II
Calm piano introduced this movement, it has what is called ternary form, it consists of three parts starting with an opening section, a following section, then it ends with a repetition of the first section. This movement is a special one, it is the only movement in a piece where Mozart ever wrote in F#-minor, it is also considered as a slow one, the dynamic is soft and constant, dynamic range is also normal. When it comes to solos, there are some solos in the movement, those played by the soloist.