Racism in college

Racism in college

Racism is one of the significant issues that continue to be perpetuated in American society. For about two centuries, racism has seen skin color become one of the main factors behind recognition in various aspects of life. Whites believe in their skin color above other races like blacks and Asians. The whites predominantly occupy American society, but other races are residing from there. The white race in America receives the most significant share of privileges, thus making the natives feel superior over other races. Racism has extended boundaries in the United States to reach the photo production, editing, and composing of photos in frames (Martyn, S., 2018). This industry is now a significant avenue for racism where the blacks and other races are not given enough space in the composing of photos or collage for private or public purposes. It is an aspect of great importance to understand the concept of picture in detail, for this is significant in analyzing emerging avenues of racism not only in the United States but also in the larger contemporary society.

Collage production in the United States for many has been a field dominated by the white race. Based on research conducted back in the year 2015, it shows that designers of the major application software used in making online photos are owned by the whites and controlled from the United States. Besides, the companies which design and regulate the use of collage apps have employed unto to 99% of whites as the senior staff. This high percentage indicates that other races residing in the United States have limited. Online photo composers in the United States link the fact of high dominance of the collage industry by the whites to the reason that the whites are exposed to technology than any other race (Tripp et al., 2019). Besides, most technologies on media and communication invented in the United States reflect the primary attention that whites should receive those technologies.

In American society, it’s like it is assumed that the other races have no position in appearing online in adverts or related collages designed for a particular mission. For instance, about 89% of the American adverts by various companies rely mostly on advert pictures designed against an American background. Dilemma and tension are at the center of collage making and its impacts on other races. As it has been witnessed in these advert collages, most backgrounds have one or two aspects or feature which reflect the white race. For example, the photos composed in American advert collage tend to reflect white skin color. Through this observation, it is clear to conclude that racism has taken over collage production to the extent that for any online advertisement to attract much attention in the American society, then a feature that reflects a white race must appear in the photo collage of the advert.

During this era of social media, composing of online photos has been used as a measure of some social factors such as racism. For instance, research on racial media popularity conducted in 2012 shows that most whites tend to follow only online media collage photos, which feature their race (Yuen, F. 2016). For that case, collages comprising of white race photos attract more likes on social media platforms such as Facebook and Instagram. This shows that the whites place value only on collages of photos of their fellow members of the white race. Facebook community y has been a significant contributor to the racism experienced in a college in the United States. This is through the discrimination practices witnessed in liking or commenting on collage photos for people of different races in the world.

From the year 2008 up to date, America has been one of the major producers of collage photos and films in the world. But this has turned out to be an industry of racism due to some facts. For example, for the last decade, the American private firms majoring in composing pictures for entertainment purposes have failed to honor the existence of the black, Spanish, and Asian races in the United States. This is evidenced by the streaming of entertainment photo clips where the actors are whites. Entertainment is one of the sectors which should be based on talent and not a race, but this has been the opposite in the United States (Stansky, D., 2017. Here, it is assumed that the white race has the talented members who can entertain through streaming online photos and clips for the world to view.

Additionally, racism in a college in America extends to the music industry. American music celebrities and divas enjoy top-notch attention from the operators of the collage Empire. Research shows that in every five college videos, photos, or films produced covering the celebrity world, there is only one college covering on a black American celebrity. This shows that the college industry in America is majorly interested in white culture than any other culture that is why collage makers in America contribute immensely in building white celebrities. On top of this fact, racist collage production has contributed to the high percentage of white race celebrities in the United States (Bryant, A. S., 2017). For instance, 95% of celebrities in the United States comprise the native whites with other races managing only 5%.

In conclusion, racism in collage production has widened the gap between the white race and other races residing in the United Staes. This is why the whites are always ahead in the advertisement, music, photo, and film production, among other sectors. Online photo making and streaming have been the primary factor that has served as an indicator of the level of racism perpetuated by the collage industry and how it has impacted on other races.