Topics on Harold Pinter Plays, Poems, and Cinemas
- Madness and Lack of Logical Reasoning as Primary Factors Contributing to Futility of Existence Eminent in “The Dumb Waiter” “The Room,” “Betrayal” and “Collected Poems and Prose”
- How Madness Influences the Society’s Role against Lust and Absurdity: A Case of Pinter’s “The Dumb Waiter,” “the Homecoming,” and “the Betrayal” among other Select Plays and Poetic Theatrics
- Gender Disparity in Harold Pinter Select Plays and Poems: A Study of How the Pinter Represents Women
- Dissecting the Theme of Masculinity in “The Homecoming,” “Birthday Party,” and “Old Times”: Is Masculinity a Toxic Disease to Families?
- “Bringing Freedom and Democracy to the Middle East”: A Modern Age Imperialism in Pinter’s “The New World Order” and Pinter’s Political Speeches
- Harold Pinter’s Politics: Demystifying Political Madness and Suppression in “The New World Order,” “Party Time,” and “Mountain Language” among other Select Plays and Poems
- The Epistemology of Language and “The Pinter Pause” in Harold Pinter’s Poetic Works
- Effects of Societal Attitude on the Treatment of the Mentally Ill as Portrayed in Select Plays, Screenplays, and Collected Poems and Prose
- Assessing Madness and Absurdity in Harold Pinter’s Early Poetry by Investigating Selected Poems Written in the 1950s
- Comedies of Menace: The Humor and Fright Dichotomy of the Poetic Pinteresque and Other Plays