Vargas story
Vargas wrote this story, which is characterized by mistrust caused by the grand narrative, which is enlightenment, emancipation, Marxist, and progress since these forms an important part when it came to modernity. The function of descriptive narrative is to lose its functors, the hero, its dangers, its goals, and its voyages, and these results to the cloud of a narrative language. The mastery narrative is a cultural narrative that explains as well as ordering knowledge together with experience.
In the book Vargas remembers the conversion he watched at PBS, the transformation was an interview between Bill Moyers as he interviewed Toni Morrison on the issue of “The bluest Eye ” Morris told him. ” The mastery narrative is whatever ideological script that is being imposed by the people in authority on everybody else. The master fiction. History. It has a certain point of view ‘’ (Reale, 174). Money was wasted while funding non-profitable Journalism, civic media, and storytelling. They visited the museum, which should be for an epic retelling of the history of America. He sees the mastery narrative as a correction for, reaction to, and America’s history, which was to be taught. The account got from the museum is supposed to be used to understand, profound, and granting choices for reinforcement of mastery narratives. The information can also be used for advancing an inclusive, nuanced, complete as well as inconvenient stories from America.
He says media is essential for democratic societies. However, still, it doesn’t look very foolish to fund such sectors to get information since the news will be faked, filtered, and Partisanship. The information given relies on apathy together with cynicism; the report reviews the facts about the powerless and favors the strong. The American Dream becomes just an empty promise with allured simplicity.
Work cited
Reale, Michelle. “Individual Voices and the Italian Immigrant Family: Disrupting the Master Narrative with Poetic Inquiry.” Cultural Studies↔ Critical Methodologies 18.3 (2018): 172-174.