Young-Frankenstein by Mel Brooks
In the comedy Young-Frankenstein, the protagonist has infused several narratives and acting features that translate to humor. For example, at the scene where Frankenstein meets Igor, verbal absurdities seem to flourish. Igor does not know the preferred pronunciation for the name “Frankenstein.” The mistake prompts the Doctor to pronounce his name, which ultimately offends Igor (Gruscoff). When Dr. Frankenstein was asserting Igor’s name, he refutes it by claiming his title is declared as “eyegor.”
Moreover, the same scene employs the use of an invective spectacle as a narrative comedy technique (Kanzler). It is portrayed when Igor decided to use a different diction for Dr.Frankenstein’s first name, Fredrick. Verbal absurdity was also employed on the scene where Frankenstein, the volunteer, and Igor were in transit. The sound of a wolf is captured after a stream of lightning accompanied by thunder (Gruscoff). The volunteer lady shouts a “werewolf,” which Igor mistakes as a question and begins to respond by claiming, “there wolf.” Generally, the movie is filled with verbal comedy, which includes the aspects of verbal absurdity and verbal intelligence that ensues from dialogues. Don't use plagiarised sources.Get your custom essay just from $11/page
As the movie unfolds, there are scenes where the director employed deadpan as a tool of comedy. It involves the stages where everything in the film stops (Briandana, Rizki & Nindyta). This feature closely relates to slapstick as an aspect of comedy. They both don’t need sound to showcase humor. When they get to their final destination, which Igor had referred to as “home,” they all remain transfixed to the ground after Igor had knocked waiting for a response (Gruscoff).
Moreover, before Igor proceeds inside, he adorns a blank expression in his face as he absorbs the nothingness of the moment. Igor finally calls on the horses to make them whinny. Therefore, the scene which will be attached bellow mostly employed action to exhibit comedy in the movies.
Work cited;
Briandana, Rizki, and Nindyta Aisyah Dwityas. “Comedy Films as Social Representation in the Society: An Analysis of Indonesian Comedy Films.” International Journal of Humanities and Social Science Studies (IJHSSS) 6959.107 (2018): 107-118. https://www.researchgate.net/publication/325069243_Comedy_Films_as_Social_Representation_in_the_Society_An_Analysis_of_Indonesian_Comedy_Films
Kanzler, Katja. “Veep, Invective Spectacle, and the Figure of the Comedic Antiheroine.” Zeitschrift für Anglistik und Amerikanistik 67.2 (2019): 147-162. https://www.degruyter.com/view/journals/zaa/67/2/article-p147.xml
Gruscoff, Michael “YOUNG FRANKENSTEIN,” 1974. Produced by 20th Century Studios https://www.youtube.com/watch?v=JkmRPqqn9cY&t=501s