The evolution of language in cinema
In modern film production, there are two broad classifications of a director; those who put their faith in the film and those who put their trust in reality. The development of a film has two distinct stages. The production of the image and projection of the montage. The combination of the two serves to increase the production quality and influence the direction a motion picture will adopt. This analysis will prove that the use of realism in the presentation of the film will not only add to the reality being presented, but it will improve the revelation of that reality. The use of realism will shape the world view of films among spectators.
There are three main types of montages, namely parallel, accelerated, and attraction. In parallel, there are two factions within the same space, and alternations are done through the use of altering shots. In accelerate, illusions are generated by increasing speed and the use of multiple shots. In the montage of attraction, different images that are not from the same episode are merged to reinforce the meaning. The styles were common in the evolution of films, and they were used in different forms of film.
There, however, came an evolution in the editing of the film with Bazin introducing the foreground, background, and middle ground. This converted the screening of films into a “dramatic checkerboard,” and it allowed spectators to engage more with the film. It captured the mental attitudes of viewers and further increase the overall ambiguity in film production. There was an introduction to a sense of mystery in cinema, which also changed how people understood films. It also changed how they interacted with the message being communicated. The use of realism changed the entire production of the film.