Cultural Identification

Cultural Identification

            Culture can be enhanced when people decide to build more artistically creativeness of what is around them hence being identified in different forms around the globe. Mostly arts were used to identify most of the ancient cultures since art and culture are two things that influence one another by providing a commanding and a democratic way of sharing, shaping, and expressing human values. The Blaxiacans of LA was a project and an art exhibition that addressed many questions through Thompson-Hernandez about different people in Los Angeles and culture (Heramil, n.p). On the other hand, Latinos believed that they identify themselves in their ethnicity since they have a shared set of cultural traits thinking that race could be more of a culture than the color (Navarro, n.p). The two arguments present racial experience as an effect that influences and identifies culture since Blaxicans of Los Angeles believed that art through photographs in Los Angeles culture could be spread and determined in their own racial experience.

However, the two articles differ from one another in that the Blaxicans of LA try to capture two cultures in one through artistic means of Walter’s research if identifying the effects of race to the color and how they affect people.  In the Latinos, there is no such art in their race identity; hence music was the art that identified cultures of different sets of ethnicity. The question to these arguments is if rivalry could be addressed in Black and white ethnicity, where do individuals who do not apt in there fall. All these arguments bring an experience that has opened doors to think of the multiracial children and families as normative facets of the society to be considered.

Works Cited

Heramil, Koby. “Afro-Latinx Transnational Identities: Adults in the San Francisco Bay and Los Angeles Area.” (2017).

Navarro, Mireya. “For many Latinos, racial identity is more culture than color.” New York Times 13 (2012).