Art and History
In the painting about The Virgin of Chancellor Rolin, there is evidence of various aspects of symbolism. The clergyman depicted in the picture is holding together the palms of his hands, which is a symbolism of prayer in Christianity. Mother and child are another symbol that the painting depicts, which is an indicator for the family unit. Jan van Eyck’s art is also another indicator of the concept of symbolism in that it symbolizes the way of life of the community depicted in the picture. The picture encompasses the symbols of the surrounding environment where a stream, as well as the architectural aspects of the depicted society (Hatzfeld, 1949). . Don't use plagiarised sources.Get your custom essay just from $11/page
Linear perspective has been identified to be applied in the depiction of the human body with variations observed in various art representations. The renaissance period saw a period during which an increase of the anatomical depictions increased as well as the development in the 3-D artistic concepts. The anatomical dissections helped to improve the accuracy by serving as a guiding framework through which the artists were able to fit their works in accordance. On the other hand, space depictions were constructed through mathematical calculations that were in line with the architectural concepts (Hatzfeld, 1949).
Protestant Reformation shapes the art of Northern Europe in various ways, some of which may be viewed as not only revolutionary but also as a critical phase in the world of art. The protestant reformation in Europe is considered to be the Northern Renaissance versus the Italian Renaissance. The protestant reforms resulted in the introduction of new artistic approaches that varied mainly from the conventional art styles that were practiced before the renaissance period. For instance, painters such as Masaccio applied the new method in the protestant reformation and helped in the new reforms observed in the world of art at the time.
References
Hatzfeld, H. (1949). Stylistic Criticism as Art-minded Philology. Yale French Studies, (3), 62-70.