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Artists

ART PHILOSOPHY

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ART PHILOSOPHY

Over the past years, there has been massive artistic shifting in the interactive media from primitive means such as printing and broadcasting to the use of advanced technology such as moist media in art. New advancements have also brought the telematic culture which encompasses. Telematic culture asserts that humans cannot concretely think or feel while they are isolated. Through the sharing of creative designs and distribution of authorship, the artist is not denied the ability to express their self creativity. However, the design has helped amplify the artist’s creative thoughts hence not only intensifying the experience but also enabling one to active participate in global activities through a global network with other minds Computerized telematic systems are not viewed as complicated tools that encompass painting, music or even published literature but rather as a creative field if expression creativity unlike one established before. Every artist is obligated to study and explore various technical aspects to ensure the viewers are empowered by offering direct interaction for collaboration in the creation of authentically artistic experiences.

An artist’s mind combined with technology not only enables them to thoroughly explore their consciousness but it also consequently leads to new trends such as improved perception, art, and ideas. Advanced technology has greatly aided in the exploration of new concepts Art’s main concerns is giving an impression during the creative process and incorporate the existing technological culture. The current artistic forms can be termed as ambiguous and intermediate. The new artistic culture has now spread its germs hence the new tendencies which should be clarified. Just like philosophers, artists should increasingly turn to techno-qualia as it helps build a relationship between their artistic building and seeing tools (Ascott 2007).

Work Cited

Ascott, Roy. Telematic Embrace: Visionary theories of art, technology, and consciousness. Univ of California Press, 2007.

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