how people get attracted to a screen than even how people get attracted to a human being
Discussion
It is interesting and also fascinating based on how people get attracted to a screen than even how people get attracted to a human being. A screen can thereby be related to a magnet that attracts all metals surrounding it. From the poem” The Screen,” Terrence, who is the poem’s author, reveals how television has impacted the current generation. The airline industry has thereby adopted this after realizing that the passengers were not paying attention to the stewardess who is required to give guidance to them on safety matters. However, when the safety procedures were played on the screen, the passengers would be easily attracted to the screen, and they would pay attention(Terrence, 1991). Just as illustrated by the poem whereby it has been written in the simplest form to capture the attention of the audience, this proves that the society has been greatly attached to the computer command instead of human being commands.
This is being experienced in the current generation, whereby children get more attracted to the computer or phones. They spend much of their time on these devices, and this has resulted in moral decay. There are instances where children fail to listen to their parents since the computer has captured their attention. Also, in the case of passengers in an airplane, when there is no screen to play the procedures, they ignore the instructions being given and instead focus on their interests, such as listening to music preparing their laptops(Terrence, 1991). It is therefore right to say that the minds of people have become lazy since people are attracted to special displays as it is in the case of children who are more attracted to special objects. This, therefore, requires the society to align itself with what is more appealing to people. Through this, people will be able to get the message that is necessary and also of benefit to them.
Reference
Terrence Chiusano, “The Screen,” Literary Cavalcade, May 1991, 31. Reproduced by permission.