Lysistrata Annotated Bibliography

Lysistrata Annotated Bibliography

General Idea

Lysistrata is an ancient greek playwright bawdy antiwar comedy. It was first staged at around 411 BCE as a comic account of women’s mission to bring the Peloponnesian war to an end. Lysistrata primarily aimed at convincing all women to

withdraw sex privileges from their men to force them to negotiate for peace. At first, women were reluctant and dubious, but the solemn oath sealed the deal, and all women agreed to abjure sex during wartime. Lysistrata, as such, is considered the greatest works of all times as well as the most anthologized. Various researchers have analyzed Lysistrata since antiquity.

Fox, Mary‐Jane. “The idea of women in peacekeeping: Lysistrata and Antigone.” International Peacekeeping 8.2 (2001): 9-22.

This work is substantively foundational in supporting my arguments. Succinctly,  it reveals the impact of women in war throughout history, dating back when Antigone and Lysistrata were performed and written. Besides, its author has used peer-reviewed articles and scholarly works from women databases, consequently ma

king it recognizable and reliable literature. This work implies collaboratively with the idea that even if women were barred from moving out of their societal confines, they still had an effect on the wars and implied power significantly. Lack of this implied power and impact, Aristophanes would not have found an interesting subject to write on just as he wrote on this controversial subject. Aristophanes, besides, would not have given women any space to exercise power within his work, which has eventually undergone historically. Moreover, this article denoted the prominence of writing play within the context of social controversy. If Lysistrata were only addressing the male audience, Aristophanes would have viewed women differently.

Capdevila, Rose. “Lysistratus, Lysistrata, Lysistratum: Coconstructing the

Identities of mother and activist.” Psychology of Women Quarterly 34.4 (2010): 530-537.

Several cases of women’s participation in political life are prevalent in both cross-cultural literature and historically. However, women’s involvement in politics has not been significantly fruitful in accessing political power. This quote, “The personal and the political are feminist: Exploring the relationships among feminism. Psychology and political life” found at the very beginning of the article demonstrates that the material is su

bstantively fundamental in my research entitled the place of women in  Lysistrata. Succinctly, it is a credible and excellent reference in my research. Using this article, supporting my arguments and connecting the idea of how motherhood transforms a woman is feasible and explicitly demonstrates how women were viewed in this patriarchal society and period.

Case, Sue-Ellen. “The Masked Activist: Greek Strategies for the Streets.” Theatre Research International 32.2 (2007): 119-129.

The metamaterial, comedy of Lysistrata readings and the greek stage structures and executed to demonstrate the preeminent relationship between state practices and gender. However, the examples seemingly contradict the ancient structures, the as well farther the

usage of classical dramaturgical devices in literature, consequently making it glamorous and exciting. I could consider using this source to make different perspective arguments in the structure of the classic plays besides substantiating why this play factually can be classified within that structure. Moreover, the work was published by a prestigious school and written by Cambridge University and crafted within the theatre subject relevant to my research, the argument concerning play. Further, the author of this excerpt is a distinguished writer having written over 54 articles. Not only this makes him renowned but also a merit respected author. Succinctly, the excerpt is of great potential additive to my Lysistrata research paper as it speaks the traditions and mechanics preeminent traditional playwriting that propelled Aristophanes to craft Lysistrata in a unique way.

Stroup, Sarah Culpepper. “Designing Women: Aristophanes’ Lysistrata and the” Hetairization” of the Greek Wife.” Arethusa 37.1 (2004): 37-73.

This article is the most ideal since the author delved women historically, especially

in the Lysistrata, and why preeminently Aristophanes decided to craft them in that light. Sarah Culpepper is a renowned author having written extensively myriad plays; consequently, her input in this work is discernable. The John Hopkins University published this work, a prestigious and reputable school everyone would like to be affiliated with. The source brings into perspective women’s rights and how they have been viewed over time in literature and how

different writers have dealt with the concept. Moreover, the text is available online free, making it read the entire essay rather than reading Lysistrata excerpts. This adds a plethora perspective to my research in entirety. The sexually and socially reductive ideology in the late 15th century, besides the artistic public depiction of women apprehended with demeaning connotations, is the theme I will consider building my arguments.

Chang, JCH. “Lysistrata then and now: A study of parody from feminist perspectives.” (Post) Feminisms. KOREAN ASSOC FEMINIST STUDIES ENGLISH LITERATURE,KOREA UNIV, SEOUL, 00000, SOUTH KOREA. 46-56. Print.

This excerpt demonstrates a clear understanding of how plays have impacted women historically and how different writers have had dealt with women issues in their plays over time, particularly during wars. Notably, many authors be

littled women considering or equating them to items, war victims, and trophies instead of potential individuals that can fight for their values. Aristophanes recognizes women in the Lysistrata. For instance, Homer’s words disregard women suffering during wars and make them invisible. The feminist advocacy brought forward by Aristophanes is considerable, contradiction