Response Paper about Films

Response Paper about Films

Movies comprise the most sophisticated and influential art forms, which help viewers, comprehend their lives and those of others around them. From horror dramas to action thrillers, films demonstrate the thoughts of individuals concerning various activities in their lifetime. For example, Julia Kristeva, in his work entitled Powers of Horror: An Essay on Abjection, examines the theory of abjection by highlighting different scenarios where individuals tolerate emotions arising from various situations.

Additionally, John Lasseter uses the Toy Story (1995) film not only to entertain children but also to sensitize adults about the importance of change, friendship, and togetherness. Although Andrei Tarkovsky’s The Mirror discusses the memories and reflections of a middle-aged man, Alexei, who suffers from an end-stage health disorder. Laura Marks, in the article entitled The Skin of the Film (2000), addresses the concept of haptic visuality, which entails the use of images to induce sensations associated with touch and movement. The analysis of the above information is essential to understand the role of movie stories in daily human activities.

Julian Kristeva attempts to explain the theory of abjections by identifying several phenomena, which causes people to experience a breakdown in the difference between the self and the other. The author notes that abjectness starts to affect the children when their symbiotic relationship with the mother is interrupted. In this case, the child discovers the authority of the father and submits to the social contract, which highlights the need to promote patriarchy in communities. Consequently, the minor is separated from the bodily experience of the mother, who is considered impure. The writer observes that adherence to religions, such as Judaism, which promotes stereotypes against feminism, affect significantly the interactions between them and the mother leading to abjection. Thus, the film story offers essential insights about the origin of abjectness among individuals and their impact on their wellbeing.

John Lasseter’s Toy Story appeals to diverse demographics within its spectators, including children who enjoy the story and adults who gain valuable lessons concerning their lifestyles. The world’s first animation movie, which was launched in 1995, addresses issues facing communities, such as hostility, by advocating the need for friendship and goodwill in accomplishing tasks. Additionally, the film highlights the importance of promoting change, which only occurs to improve the lifestyle of humanity. Toy Story encourages the audience to indulge their delight in the textures and surfaces in the manner as they did during the childhood days.

Andrei Tarkovsky’s The Mirror is an attempt by the creator to prove that the film medium surpasses the limits of conventional textual narratives and interacts with spectators on a direct experiential level. Tarkovsky’s narrates the story using different vignettes starting from the childhood days to the maturity stage. However, critics argue that it is difficult to appreciate the significant themes of the film for first-time viewers unless they watch the art repeatedly.

Laura (2000) addresses the significance of haptic visuality in depicting cultural differences among the audience to improve their interest in the cinema. The author argues that haptic cinema promotes physical interaction between the audience and the image without the need to identify with the figures. Consequently, spectators are encouraged to engage their sense perception while watching movies to increase their understanding of the various themes in the film.

In conclusion, movies are an essential component of human lives as they not only entertain but also educate viewers about the issues affecting their lives. For example, Kristeva explains the theory of abjection using horror scenes to improve the understanding of the audience. Finally, improving the appearance of the movie, using elements such as haptic visuality, increases the interest of the spectators.