Svaralankara Presentation

The Svaralankara music represents a conservative culture among the Indians, and the musical instruments used are a pure reflection of the commitment of the community to preserve their conservativeness. Using the light devotions songs, the Indians sing their classical music connoisseurs to relay an important message to their target audience, especially the elderly Indians. The Svaralankara have strong traditions with the Carnatic and Hunudstani being among the popular cultural traditions that the musical presentation safeguards. Further, it is worth noting that the Svaralankara presentation plays its instruments in a slow-motion accompanied by lovely songs form the musicians. Key among the selected songs that the Svaralankara presenters sang include; tukkadas, bhajans among them, and the audience enjoyed every bit of their presentation. By singing the devotional songs in tunes that are deeply rooted in the Hindu tradition, the presentation was vital in helping engage their audience and invoke nostalgic memories to the listeners. Besides, it is worth noting that the presentation heavily relied on the varkari sampradaya traditional tunes to get the attention of their audience and relay the message to them. By doing so, the presenters significantly achieve the objective of engaging the audience in the performance as well as enlightening them on their traditional practices.

Further, one can accurately assert that the Svaralankara’s use of slow-motion is among the essential ways of capturing the interests of their audience with the deep devotion to their tradition being a catalyst toward achieving optimal productivity in their presentation. At the initial stage of the presentation, the Svaralankara presenters made a great success by playing the instruments before engaging in interval singing. The symphony of the instruments used in slow motion is vital in capturing the audiences’ attention, thus making it easy for them to achieve the desired output.

Noticeable in the Svaralankara presentation is the application of raags in the composition and use of unique touches when playing the raga instruments. In particular, the musicians use ideal tunes in presenting a single raga-based approach when singing the taans and employ a fast akaara approach towards the end. The fundamental reason for the adoption of a unique raga-based approach at the start is to capture the attention of the audience and tag them along as they increase the speed of the musical instruments. By doing so, the audience easily gets along with the presentation making it easy for the presenters to achieve their desired goals. Further, the instrumental changing of tunes form abhangs, and additional touches creatively give the presentation the desired symphony and set the foundation for optimal productivity. Also, the audience finds the renditions of the abhangs classically appealing because of the presenter’s emotions while singing. The singers pull deep emotions while singing and playing the raga instruments giving an appealing feeling to their listeners. The speed with which the musicians play the taal instrument increases in speed with the singers allowing the instrumentation for a while before singing with lovely voices. The instrumentation also halts at different intervals leaving the presenters to sing all through using slow tones. The musicians also involve the audience by allowing them to stand up and enjoy the music by dancing to their tunes. With the involvement of the audience in the musical presentation, one can accurately assert that the Svaralankara meets the desired optimal productivity in relaying their message and entertaining their audience using traditional rhythms. It is worth noting that the Svaralankara presentation uses different instruments with the tall halting s the raga instrument plays with the help of lovely voices following the rhythm set by the raga. Besides, the use of tonal variation when singing is key in helping the musicians entertainingly engage the audience. With the slow-motion singing that later increases in speed, the musicians achieve the goal of capturing the audiences” attention and improve their overall productivity in the presentation. Thus, one can accurately assert that the interchange of the singing and the instruments is critical in helping achieve the desired symphony and other equally essential objectives by the Svaralankara.

Anoushka Shankar plays ‘Pancham Se Gara

The quality of the sound and instruments is on point in the presentation, and the audience enjoys the music right from the start to the end. The band’s presentation entirely lied on the rhythmic presentation of the instruments and the ideal ways in which the musicians get the attention of their audience through symphonic rhythms of the raga and the taal instruments. Using Indian tradition, the musicians gradually increase the speed of the instrumentation with the interval exchange of the taal instrument with the raga bringing out a lovely rhythm and musical flow all through. At the initial stage of the presentation, the lady plays the raga instrument while the male musician was listening and watching before gradually joining in playing the tall. The slow start of the instrumentation gradually increases as the man started playing the taal instrument. The audience finds it entertaining with the supplement of taal to the raga instrument that yields a lovely symphony. Besides, the musicians don’t sing along but only change the tunes of the instruments all through. In the Indian culture, taal and raga instruments are vital in the music industry, and the audience always enjoys listening to them when played alongside each other. Unlike other presentations where the instruments halt for the musicians to sing along, this presentation only relied on the instruments to achieve the desired output. Besides the instruments bring a nostalgic feeling from the audience as it gives out the classical element. The band offers a much-needed good feeling to the audience, and the classical touch makes it better. From the Pancham Se Gara presentation, the band shows the important role the taal and the raga instruments lay in advancing the classical Indian music. Further, the instrumentation is key in relaying information to the target audience, especially on the ability to achieve the desired output to all people. It is worth noting that the art of playing the taal and the raga instruments toa chive the desired rhythm is key in the Indian music, and the band got it right in the Pancham Se Gara presentation. Thus, one can accurately conclude that the taal and raga instruments are important in bringing out symphonic rhythms when presenting classical Indian music.