THE EMPEROR’S NEW CLOTHES
Hans Christian Andersen is the world of fairy tales, the characters are focused on who is individual, and somehow, they stand apart from society. The most interesting from his stories is Emperor Clothes, a Fairy tale deserving of closer analysis because of the way in the western cultural how spins over substance, it is how the truth is illusion carefully. In the post times, there were the new clothes for the emperor which become the part of the dirty political laundry which was collectively part.
In the “Emperor new Clothes” discuss the attitude of the emperor who cares just about the clothes and nothing else. He spends most of the time in his dressing room. Two men arrived in the town to meet the king. The weavers who have to wear weave clothes with the possessed superior quality. They look invisible to anyone who was stupid and fools. They think that this is the better way of telling to wise men from fools. Their job was fitted to passing out, if not. The emperor paid the swindler to weave him some proper clothes.
The swindler sets a loom and shows to the weaver. But the reality behind it was the pocket, and the loom remains empty. The king wishes to see the robes which come along, but he has fear in it and won’t able to view it. The minister was sent to his place, which was smart and his trustee. He also didn’t see the robes and didn’t say anything, keep quiet. He returns and describes the emperor that the dresses are beautiful. Gold and silk were demanded by swindlers to continue the weave in the empty loom. The emperor sends his other advisers. He also did the same as the first one; he didn’t saw the clothes but pretend he saw.
The emperor then decides to go and want to see the clothes before it is completed. He lay and said it’s beautiful. When the clothes were ready, the swindler asks the emperor to remove his clothes to fit the new one. He pretends him to put new clothes, and it was completely naked. He parades wearing those new clothes. The town people can’t see any clothes, but they were fearful of saying it. Being accused of being stupid or unfit, what they did. There was the child who exclaims that the emperor doesn’t put any clothes. Everyone takes the cry, and the illusion of the emperor’s new clothes is destroyed. Still, the king ignores the public and continue his procession.
Even though Anderson composed the theme said the ring of antiquated credibility about it. Furthermore, in light of current circumstances; Andersen based the new emperor’s clothes. German interpretative the medieval Spanish fantasy starts from 1335 assortment, El Conde Lucanor. The impression of what people expected that the weavers were not deceived. If the head asserted he couldn’t see suit, at that point under that presumption, there were two potential outcomes people would consider 1) he was unfit 2) he was inept. The lord didn’t need his subjects to reach either resolution, so he shrouded the way that he couldn’t see his suit. The figure the story could have been made significantly more grounded.
There was no compelling reason to expect that the ruler was naïve. Or in fact to accept that a lion’s shares of individuals were artless. Andersen refreshing of the story and adjusting of ill-conceived to inept or unfit for office shows how fantasies are always being refreshed and revamped to mirror their changing social settings. They inform to make such protest. The story gives no indications of leaving. Nor, in the current political atmosphere, is it liable to any point in the future.
If we award that a dominant part of individuals accepted that a considerable portion of the rest was sincere, the story would have been unaltered basically. All things considered as well; the ruler would have dreaded insubordination from those of his kin who he accepted was guileless. It shows the collective thinking manner. The lesson of the story is doing be naïve and trust the way that some others will be simple!