The life of Robert Irwin
Article Review
“Seeing is Forgetting, The Name of the Thing One Sees – A Life of Contemporary Artist Robert Irwin” is a book written by Lawrence Weschler that narrates on the life of Robert Irwin, an artist. Irwin is the principal California craftsman to ascend to a prominent place in the world of art. The book describes Irwin from his humble beginnings in rural Los Angeles through his excursion of self-revelation in discovering his place in the craftsmanship world. He, at last, seeks after some degree of the unreasonable objective of stripping objects of art down to nearness or, in fact, a discernment. Robert Irwin’s medium is painting, which he used to ask many disciplinary questions throughout the text.
Chapter 5 of the book depicts Irwin’s transformation dynamic impressionist to moderate craftsman, at last, the conclusive class of his masterfulness. He is constrained to arrive at new levels in his work at Ferus, a situation that presents Irwin with his first involvement in peers whose work is better than his own. He paints expressions on big canvases, which are characterized by paintings that are of good color appeal and expression. His architectural medium is the emotional power that he creates through his paintings. Chapter 6 explains his perception of the paintings that he created. At that stage, he was more objected to the quality gradations and the impressions he created (Weschler& Irwin, 1982).
Although Irwin may have succeeded as an artist, there is yet the unsolved question about the discipline of architecture. The question addressedIrwin’s type of art where it enquires whether the type of art he made was sensible. Is it a contemporary art that is beneficial to the society or that simply paid attention to his own interest?
Reference
Weschler, L., & Irwin, R. (1982). Seeing is forgetting the name of the thing one sees: A life of contemporary artist Robert Irwin. Univ of California Press.